Look at the meter of below line from The Road Not Taken!Īnd sorry I could not travel both (2 nd line of The Road Not Taken) The overall meter of the poem tetrameter. Second syllable of the meter is generally stressed/accented. However, there is little variation some lines contain a syllable more or less than the average syllable count. T he use of enjambment in the poem keeps the sense flowing where one line runs into the next very smoothly.Įach line of the poem consists of nine syllables. The whole poem has the same pattern ABAAB. The second line ends with “ claim” which rhymes with fifth line “ same”. In the first line of above stanza, “ fair” rhymes with the words, “ wear” and “ there”. Line 5: Had worn them really about the same, Line 4: Though as for that the passing there Line 3: Because it was grassy and wanted wear The central idea of the poem is quite simple so that every individual can relate it to his personal life, especially when it comes to the concept of choices and opportunities in the life of individual. It is a lyric with a patterned rhyming and a regular metrical scheme. It is a narrative poem that describes the struggle of a central character standing on the road that has diversion and he want to choose correct path but fails to decide which one is better for him. The poem, The Road Not Taken, is one of the famous poems written by an American poet: Robert Frost. Introduction to the poem: The Road Not Taken Analysis of Literary Derives in The Road Not Taken.Symbolism in the Poem “The Road Not Taken”.Analysis of the Poem “The Road Not Taken”.Summary of the Poem: The Road Not Taken.Rhyme Scheme and Structure of the Poem:.Introduction to the poem: The Road Not Taken.The present paper attempts to look at this concept of 'binary oppositions' in the poems of Robert Frost namely The Road Not Taken and The Armful. It also prepares the reader to look through the 'given' constructs in the world, to distinguish between appearance and reality. It also assists in realizing the significance of maintaining vital cultural ideas, and at the same time, rising above cultural stereotypes that may be conflicting to keep pace in the progressing world. It helps in developing potent layers of meaning for a more refined analysis, through a better classification of the thematic features of a text. Comprehending the process of destabilizing the binary oppositions can make one, a competent reader to understand the basis of literary aspects and combinations in the text. It allows the readers an opportunity to travel beyond the conventional dualisms that direct the thinking. Structuralism is that probe with which, the reader is both delighted and challenged by the nuances of language. One of the strategic options not to lose so lies in the 'structuralist' approach. In this write up, the value of the game considers the lexical choices in the poem " The Road Not Taken‛ by Robert Frost in the following categories: nouns, pronouns, adjectives, verbs, lexical categories such as synonymy, antagonymy, contradiction and their significance or effects in the poem.Ī unidirectional thinking might make one lose many other or other experience. Poets, particularly modern ones, have successfully freed themselves from constraints of what is so called ‚poetic language (Sharma, 2009: 31). Each register has its own characteristics style with certain lexical and grammatical choices. A piece of work cannot be properly understood without a thorough knowledge of the language, which is its medium of expression. It seeks to account for the interpretative effects of a text through close study of its linguistic detail, such as syntactic structuring, semantic deviation, deixis, modality, etc. Stylistics is the study of style of language in literature. This paper attempts to analyse the Lexical Choices in Robert Frost's The Road Not Taken poem from the perspectives of stylistics.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |